A Powerful Chart & Scale Generator for Adobe Illustrator Creating clean, consistent numeric scales in Adobe Illustrator can be surprisingly time-consuming. Whether you’re building infographics, UI mockups, data visualizations, timelines, pricing tables, or technical diagrams, manually typing and aligning sequential values is repetitive and error-prone. Advanced Sequential Value Builder v3.0 solves that problem with a…
Here is a quick tip to change any color parameter depending on the current frame. We will use Xpresso and Python Node to create this setup. Add a rs area light. Add Xpresso tag to your light. Drag your area light into xpresso node editor. Add its color input. Create 3 Constants. (By default it…
Ever needed blinking or a flickering light in cinema 4d? This technique shows a very practical and easy way to create such effects. In this example we add field driver to our area light’s intensity slider. Next we need to click on Field Driver tag. Click on the parameters tab. Enter your minumum and maximum…
Sometimes you may want to control a parameter of a specific clone in Mograph. This technique shows a simple usage of Formula Fields. Here we are using multiple Formula Fields for each object. Note that ID values start with 0. In this example, they go: 0, 1, 2, and 3. This setup would work with…
If you work with fluid simulations, 3D scans, or stop-motion animation, you’ve likely run into the dreaded OBJ Sequence. Unlike Alembic files, Cinema 4D doesn’t have a native “Import Sequence” button for OBJs. For years, artists have relied on simple Python tags to toggle visibility frame-by-frame. But there’s a problem: Cinema 4D 2025 and 2026 work differently.…
You can control almost any parameter in Redshift by using user data in Cinema 4D. Add user data from programming tags. In this example, we used Hue/Saturation/Lightness and Alpha. We need to use the same names for the Scalar User Data’s Attribute Name.
If you have ever tried to create a gold, copper, or zinc material in Redshift, you’ve probably stared at the color wheel, tweaking the “Reflectivity” and “Edge Tint” until it looked “close enough.” But “close enough” isn’t physically accurate. Today, I’m going to show you a workflow that removes the guesswork entirely. By using real-world…
For Cinema 4D 2026 & Redshift If you have ever tried to layer a “Scratches” normal map on top of a “Wood Grain” normal map in Redshift, you’ve likely noticed something annoying: The details get washed out. When you use a standard RS Color Mix or even the RS Bump Blender to mix two blue-purple normal maps, Redshift often treats…
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If you work in motion graphics or product visualization, you know the pain of stacking objects in Cinema 4D. You have two standard options: manually aligning coordinates (tedious) or using a Cloner (restrictive if you need individual control). While there are many Cinema 4D Python scripts out there for stacking, most of them suffer from two major flaws: Today, I’m…